Slipknot Biography

Nineteenth-century American authors, critics, and readers believed that biography had the power to shape individuals' characters and to help define the nation's identity. In an age predating radio and television, biography was not simply a genre of writing, says Scott Casper; it was ###the# medium that allowed people to learn about public figures and peer into the lives of strangers. In this pioneering study, Casper examines how Americans wrote, published, and read biographies and how their conceptions of the genre changed over the course of a century. Campaign biographies, memoirs of pious women, patriotic narratives of eminent statesmen, "mug books" that collected the lives of ordinary midwestern farmers -- all were labeled "biography, " however disparate their contents and the contexts of their creation, publication, and dissemination. Analyzing debates over how these diverse biographies should be written and read, Casper reveals larger disputes over the meaning of character, the definition of American history, and the place of American literary practices in a transatlantic world of letters. As much a personal experience as a literary genre, biography helped Americans imagine their own lives as well as the ones about which they wrote and read.

The historian as biographer must resolve questions that reflect the dual challenge of telling history and telling lives: How does the biographer sort out the individual's role within the larger historical context? How do biographical studies relate to other forms of history? Should historians use different approaches to biography, depending on the cultures of their subjects? What are the appropriate primary sources and techniques that scholars should use in writing biographies in their respective fields? In "Writing Biography, six prominent historians address these issues and reflect on their varied experiences and divergent perspectives as biographers. Shirley A. Leckie examines the psychological and personal connections between biographer and subject; R. Keith Schoppa considers the pervasive effect of culture on the recognition of individuality and the presentation of a life; Retha M. Warnicke explores past context and modern cultural biases in writing the biographies of Tudor women; John Milton Cooper Jr. discusses the challenges of writing modern biographies and the interplay of the biographer's own experiences; Nell Irvin Painter looks at the process of reconstructing a life when written documents are scant; and Robert J. Richards investigates the intimate relationship between life experiences and new ideas. Despite their broad range of perspectives, all six scholars agree on two central points: biography and historical analysis are inextricably linked, and biographical studies offer an important tool for analyzing historical questions.

James Bond: The Authorised Biography of 007 - James Bond: The Authorised Biography of 007 is a fictional biography of Ian Fleming's famous secret agent, James Bond, which was published in 1973. The book was written by John Pearson, who had published a well-received biography of Fleming in 1966.

Anaïs Nin: A Biography - Anaïs Nin: A Biography is Deirdre Bair's award-winning biography of writer Anaïs Nin. It is considered by many to be the most comprehensive, well-researched, and scholarly biography available of Nin.

Flush: a biography - Flush: a biography, first published in 1933, is one of two fictional biographies written by Virginia Woolf, the other being Orlando: A Biography. Written after the completion of her emotionally draining The Waves, Flush provided Woolf a welcome break from her more demanding and experimental writings.

Dictionary of National Biography - The Dictionary of National Biography (DNB) is a standard work of reference on notable figures from British history published from 1885. The updated Oxford Dictionary of National Biography (ODNB) was published on 23 September 2004 in 60 volumes.

slipknotbiography

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